I write and read realistic fiction. I’m not a fan of fantasy, sci-fi, ghost stories, or magical (other than, you know, Tolkien). I don’t want to have to suspend a lot of belief and buy into an alternate reality. And yet, and yet. . . . All these books have a little element of something going on, and they each grabbed me and kept my attention, and I didn’t roll my eyes once. The supernatural is just a little extra kick and, in every case, as believable as it can possibly be.
This one gets all the way to the end before the mysterious creeps in, where it felt completely natural.
I find Trafford’s novels both engrossing and enlightening—genre-merging legal/psychological thrillers that are also thoughtful and literary. I loved the books prior to this one, but this is the one that first introduces a little supernatural healing that was surprising and then . . . good. Intriguing. He carries it forward into the second book of the Dark River series.
The bridge in this book is an actual bridge over an actual river (the Mississippi) connecting Missouri and Illinois at St. Louis. The story is fiction, involving a body that washed up on the Missouri side of the river, which sets the stage for all that follows.
I love so many things about this book, starting with the title (double-entendre!) and the setting (bookstore!).
I love the snippets of real life (e.g., it’s the author’s bookstore). And then there’s the ghost, Flora. Erdrich does such a good job with Flora. This is not the movie Ghostbusters and it’s not the TV show Ghosts. Flora is just an unseen character, a former customer who keeps hanging out in the bookstore in the time of Covid. Erdrich weaves both Covid and the ghost into the story so smoothly—the book is not about either one of them, but they are both in the background and color everything going on, leaving me with the impression that the ghost is just one more part of the fever dream that was 2020.
In this stunning and timely novel, Pulitzer Prize and National Book Award-winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage and of a woman's relentless errors.
Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but…
ALBA - Hidden Secrets is a tale of blood, broken dreams, and buried secrets.
When I was in high school, several young teenage boys died in car accidents, with tragic outcomes for all involved, and I wanted to honour their memory without specifically identifying them.
This book is about a private investigator in London in the early 1900s. It is the first of a long series about Maisie’s cases and the people who are dear to her.
This first book gives us an introduction to Maisie and her working-class background, the people who influenced her, and the way she uses her own version of second sight to understand both clients and criminals. Her description of Maisie mimicking someone’s body movements to figure out their motives actually made me try it out.
I also got a strong sense of London during the difficult years of wars and depression and a bedraggled peace. If you enjoy this one, you’ll have a nice backlog to return to whenever you need more.
A favorite mystery series of Hillary Clinton (as mentioned in What Happened, The New York Times Book Review, and New York Magazine) A New York Times Notable Book of the Year Agatha Award Winner for Best First Novel Macavity Award Winner for Best First Novel Alex Award Winner
Fiercely independent Maisie Dobbs has recently set herself up as a private detective. Such a move may not seem especially startling. But this is 1929, and Maisie is exceptional in many ways.
Having started as a maid to the London aristocracy, studied her way to Cambridge and served as a nurse in…
The most supernatural of this list, this book has occasional short chapters (usually just a paragraph or two) by the angel who is shepherding a dying man toward death.
These little interludes give the reader flickers of insight into the author’s vision of dying without anything like proselytizing. The engrossing overarching story is one of friends and family in a small Southern town and one woman’s struggle with her identity and her religion, again without judgment.
There are no easy answers – this book is real and heartwarming at the same time that it is heartbreaking.
"There's a set time, a season, for everything under the heavens," Tobiel said. "You can ask God to do something numerous times. Get others to ask for you. And He still will not move until the set time, when everything is beautiful. Including you." --from IF I COULD DIE
John "Dusty" Wilson's life is falling apart. His wife Lisa has left him, and he's having a hard time convincing her to come back home. When his alcoholic uncle's health fails and he's faced with more difficulties, Dusty wonders if God is the refuge that he needs or the source of…
In May 1941, Bartlesville, Oklahoma, hums with talk of spring flowers, fishing derbies, and the growing war in Europe. And for the residents of a quiet neighborhood boarding house, the winds of change are blowing.
Self-proclaimed spinster, Bessie Blackwell, is the reluctant owner of a new pair of glasses. The…
Going into it, I have to say that the cohort of talking animals was a bit much for a realist like me.
But I kept reading as the animals inhabit the dreams of a young neuroscientist who is dealing with personal issues while trying to complete her graduate studies. I realized that the animals became what people couldn’t be for her at this precise time. Maybe they were figments of her imagination. It doesn’t matter in the end. They enlightened her struggles and got her through.
By the time I finished reading the book, I looked at them the way I look at talking animals in really good children’s books: they do the work, say the things, and be the “people” that human characters couldn’t manage nearly as well.
Frankie Conner, first-year graduate student at UC Berkeley, is finally getting her life together. After multiple failures and several false starts, she's found her calling: become a neuroscientist, discover the cause of her depression and anxiety, and hopefully find a cure for herself and everyone like her.
But her first day of the program, Frankie meets a mysterious group of talking animals who claim to have an urgent message for her. The problem is, they're not willing to share it. Not yet. Not until she's ready.
While Frankie's new friends may not have her highly evolved, state-of-the-art, exalted human brain,…
This book is a first-person novel, written for the realist–someone who likes true-to-life fiction that goes from point A to point Z without meandering into fantasy. But things happen–real-life things–and there are moments.
The book begins with the narrator opening the door to her childhood home decades after her parents sold the house and moved away during a wave of white-flight and construction of an expressway through the neighborhood. She’s come back to a decrepit house in a changed neighborhood. Most of the magic here is the sweat-equity kind, where she slowly repairs the house and finds her way as the only white woman around. A break-in early on introduces a mystery that unravels gradually throughout the story.
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
